Protein fibers are
the most readily
dyed fibers due to
the numerous reactive functional
groups present. They can be
dyed with a wide
range of dyes under acid, neutral, or
slightly basic conditions. Since
the keratin fibers are
less crystalline and
oriented than secreted fibers
such as
silk, they tend to dye
more rapidly and
more readily to deeper shades.
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September 13, 2011
DYES FOR PROTEIN FIBERS
DYES FOR VINYL FIBERS
The vinyl fibers, with
the exception of
vinal and vinyon-vinal matrix fibers, are extremely hydrophobic and difficult to
dye, and consequently they can be
dyed only through
pigmentation of the
polymer melt before fiber formation or
through dyeing with
disperse dyes. Vinal and vinyon-vinal matrix fibers
dye readily with dyes
used on cellulosics
including direct, mordant, reactive, vat, and
sulfur dyes.
DYE FOR POLYOLEFIN FIBERS
Polyolefin fibers are
hydrophobic, and the
molecular chains within the
fiber are tightly packed. Therefore it is
extremely difficult to dye polyolefin fibers or
to increase their affinity to
dyes. Colored inorganic salts or
stable organometallic pigments have been
added to the
polymer melt prior to fiber
spinning to color the
fibers. Also, nonvolatile acids
or bases or materials such as polyethylene
oxides or metal salts have been added to the polymer prior to fiber formation to
increase the affinity of the fiber
for disperse, cationic,
acid, or
mordant dyes. Polyolefin fibers can
be chemically grafted
with appropriate monomers
after fiber formation to improve their
dyeability.
DYES FOR POLYESTER FIBERS
Owing to their high
crystallinity and hydrophobicity, the
polyester fibers are extremely
difficult to dye
by normal dyeing
techniques unless the
fiber has been
modified, as in the
case of modified
terephthalate polyesters. A
limited amount of
polyester is solution
dyed through incorporation of
dye or pigment
into the polymer
melt prior to
spinning. It is more common
to use this
technique to incorporate
fluorescent brightening agents into
polyester. Only smaller, relatively
nonpolar dye molecules can effectively penetrate
polyester; therefore
disperse dyes have
been the dye class of choice for
the fiber.
Azoic dyes
and pigment-binder systems have also
found limited use on polyesters. Polyester modified with
appropriate comonomers can be dyed at lower temperatures
or with acid
or basic dyes depending on
the nature of the
modifying groups.
DYES FOR POLYAMIDE FIBERS
With the exception
of the aramid fibers, the polyamides dye readily with a wide
variety of dyes.
Since the polyamides
contain both acid
carboxyl ic and basic amino
end groups and
have a reasonably high moisture regain,
the fibers tend
to dye like
protein fibers such
as wool and
silk. Since the molecular
structure is somewhat
more hydrophobic, more
regular, and more densely packed
in the polyamides
than in protein fibers, they also exhibit to
some degree the dyeing characteristics of
other synthetic fibers such as
polyesters and acrylics. Due to their highly regular molecular structure and
dense chain packing, the aramid fibers
resemble polyester and are dyed only by small
dye molecules such
as disperse dyes.
Polyamides such as
nylon 6, 6,6,
and Qiana can
be readily dyed
with dyes containing anionic groups,
such as acid,
metallized acid, mordant
dyes, and reactive dyes and
with dyes containing
cationic groups such
as basic dyes.
Acid dyes on
nylon can be
mordanted effectively for additional fastness; however,
the colorfastness of
basic dyes is
poorer and more
difficult to stabilize by
mordanting. Vat and azoic
dyes can be
applied to nylons
by modified techniques, and polyamides
can be
readily dyed by
disperse dyes at temperatures above
80°C. Aramids can
only be dyed
effectively with disperse dyes
under rigorous dyeing
conditions. The biconstituent fiber
of nylon and
polyester can be
effectively dyed by several dye
types due to the nylon component,
but for deep
dyeings disperse dyes
are preferred. Nylon 6 and 6,6
are produced in
modifications that are
light, medium, or deep
dyeable by acid
dyes or specially
dyeable by cationic
dyes.
DYE FOR ACRYLIC FIBERS
The nature and
distribution of acrylonitrile and co
monomer or comonomers
in the acrylic fibers affect the overall dye ability
and the classes
of dyes that
may be used
in dyeing these
fibers. Both acrylic
and mod acrylic fibers can
be dyed using
disperse dyes, with
the more hydrophobic and
less crystalline modacrylic
being more dyeable with
this dye class.
The polar cyanide groups
in the acrylonitrile unit
of these fibers
have some affinity for
acid dyes and
particularly mordanted systems
containing copper or chromium
ions. Addition of
an acid or
basic comonomer such
as acrylic acid or
vinyl pyridine as
comonomer imparts
improved dye ability
with basic and acid
dyes, respectively, for
these fibers. Vat dyes
can be used
on acrylic fibers to a
limited extent.
September 7, 2011
DYES FOR MINERAL AND METALLIC FIBERS
The mineral and metallic
fibers are essentially undyeable, and special techniques must be used to impart
color to the fibers. Thermally stable ceramic pigments can be added
to molten glass prior to fiber formation, or pigment-binder systems may be
appl ied to the surface of the mineral and metallic fibers. Glass fibers
can also be sized with a protein which then can be insolubilized and dyed
with conventional protein dyes. Glass fibers
are colored by coronizing,
which involves preheating of the glass substrate to high temperatures to
remove all organic materials followed by coloration with a pigment-binder system.
The metallic fibers may also be colored through anodizing the metal
(often aluminum) filament present or through pigmentation of the plastic
layer coating the metal. The nature of the metal in the organometallic
fibers determines their ultimate color.
DYES FOR CELLULOSE ESTER FIBERS
Acetate and triacetate fibers
can be effectively dyed
using disperse dyes. The rate
of dyeing is
more rapid with the more
hydrophobic triacetate fibers than
with acetate. Under special
conditions, azoic and vat dyes
may be used
to dye these
fibers. Acetate fibers also have
affinity for selected acid
and direct dyes.
Since acetate loses
its luster above 85°C, dyeings
must be carried
out at or below
this temperature. Addition of pigments
or solventsoluble dyes to
the acetate or
triacetate spinning
"dope" prior to fiber
spinning leads to colored fibers
possessing excellent
colorfastness, although the
colors available are limited.
DYES FOR ELASTOMERIC FIBERS
Since the
elastomeric fibers are often
a component in
the core of blended yarns,
coloration is not
important in all
applications. Rubber fibers cannot be dyed readily and are colored through mixing of pigments into the rubber prior to extrusion
into fibers. Spandex fibers are more dyeable and can be dyed with acid, reactive, basic, or vat dyes.
Anidex can be dyed with disperse or basic dyes.The nylon component of spandexnylon
fibers can readily be dyed with acid, basic, disperse, or vat dyes.
COLOR THEORY
Color is defined a s the net
response of an observer to visual physical
phenomena involving visible
radiant energy of varying intensities over the
wavelength range 400 to 700
nanometers (nm). The net color seen by the
observer is dependent on
integration of three factors:
(l) the nature of the light source,
(2) the light absorption
properties of the object observed, and
(3) the response of the eye
to the 1i ght refl ected from the object.
The relative intensities of the various
wavelengths of visible
1ight observed by the eye are
translated by the mind of the observer
resulting in the perception
of color. In color measurement, the human eye
is replaced by a photocell
which detects the light energy present at various visible wavelengths. Visible
1ight is a narrow band of electromagnetic radiation from 400 to 700 nm (1 nm
equals 10-9 meters) detected by the human eye. Radiation falling below 400 nm
is ultraviolet radiation, and that falling above 700 nm is infrared radiation;
both are unseen by the human eye. If pure lightof a given wavelength is
observed, it will have a color corresponding to that wavelength. Pure
wavelengths of light are seen when white light is refracted by a prism into a
"rainbow" spectrum of continuous color. Light sources such as sunlight,
incandescent light, and fluorescent light are continuums of various wavelengths
of light with the relative amounts of the various wavelengths of light being
dependent on the overall intensity and type of light source. Sunlight at noon
has very nearly the same intensityof each wavelength of 1ight throughout the
visible spectrum, whereas at dusk sunlight is of lower intensity and has
greater quantities of the longer, red wavelengths than of shorter, blue
wavelengths. Fluorescent lights generally contain large amounts of shorter,
blue wavelengths, while incandescent tungsten lights contain a large component
of longer, red wavelengths compared to noon sunlight. Differences in intensity
and wavelength distribution between light sources has a profound effect on the
color observed for a dyed textile, since the textile can absorb and reflect
only that 1ight available to it from the source. When a dyed fabric appears different
in color or shade under two different light sources, the phenomenon is referred
to as "flare." When two fabrics dyed with different dyes or dye
combinations match under one light source but not under another, the
effect is called
"metamerism." When 1ight from a source strikes a dyed textile
surface, different portions of the light of the various wavelengths are
absorbed by the dye, depending of the structure and light absorption
characteristics of the dye. Light not absorbed by the dye on the textile is
reflected from the surface as diffuse 1ight, and the observer sees the colors
shown in Table 17-1. The color seen is a composite of all the wavelengths
reflected from the fabric. If significant direct reflectance of light from the
fabric occurs, the fabric exhibits a degree of a gloss. If little or no light
throughout the visible range is absorbed by the fabric and the majority of
1ight is reflected, the fabric appears white. If the fabric absorbs all of the light
striking it, the fabric is black. If uniform light absorption and reflectance
across the visible wavelengths occurs at some intermediate level, the fabric
will be a shade of grey.
Table 17-1. Colors After
Absorption/Reflectance
Wavelength of
Light Absorbed (nm)
|
Light Absorbed
by Dyed Textile
|
Color Seen
by the Observer
|
400-435
|
Violet
|
Yellow-green
|
435-480
|
Blue
|
Yellow
|
480-490
|
Green-blue
|
Orange
|
490-500
|
Blue-green
|
Red
|
500-560
|
Green
|
Purple
|
560-580
|
Yellow-green
|
Violet
|
580-595
|
Yellow
|
Blue
|
595-605
|
Orange
|
Green-blue
|
605-700
|
Red
|
Blue-green
|
The dye absorbs di screte
packages or quanta of 1i ght, and the dye
molecule is excited to a
higher energy state. This energy is normally
harmlessly dissipated through
increased vibration within the dye molecule
as heat, and the dye is then
ready to absorb another quantum of light. If
the dye cannot effectively
dissipate this energy, the dye will undergo
chemical attack and color
fading or color change will occur or the energy
will be transferred to the
fiber causing chemical damage.
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